A BOOK ON PROMISING YOUNG MUSICIANS

‘Youth Jugalbandhi’ – the title is a combination of an English and a Hindi word, but the book is in Thamizh. Authored by Charukesi, the book is a collection of interviews with twenty eight promising young stars on the Carnatic musical stage.

The book, published by Vikatan Publications with a foreword by Sudha Raghunathan, has been appropriately released during the ‘season’.

Each chapter is dedicated to one person, with details of education, musical and otherwise, spelt out clearly at the beginning. Highlights of each musician’s career have been included smoothly with other information, like their views on music, on their profession and career. Sikkil Gurucharan, for instance, says he has no interest in news or other matters, it is only music for him all the way. Mridangam player Delhi Sairam says that no way would he consider participating in the orchestra of a Bharata natyam dancer. Vasudha Ravi says her most unforgettable moment was when she met M. S. Subbulakshmi and sang for her.

Not only vocalists, but accompanists like violinists and mridangam or kanjira players are also included in this list. Some of them are children of musicians, like Subasree Ramachandran, daughter of Charumathi and Trichur Ramachandran, and T. N. S. Krishna, son of T. N. Seshagopalan, or come from families with musical background like Abhishek Raghuram, who is the grandson of Palghat Raghu.

What does strike the reader is that each of the young persons holds not less than a bachelor’s degree. In fact some of them, like Nisha Rajagopal are professional degree holders. Many of the musicians, like Kuldeep Pai, K. Gayathri and S. M. Vilasini , live in the Mylapore neighbourhood.

Charukesi is an established writer with many short stories and books to his name. He is also a connoisseur of music, as his nom de plume might indicate – being the name of a raagam – and he has contributed articles on music to publications like The Hindu and Sruti. His given name is Viswanathan.

How did he hit upon the idea of interviewing the youngsters? Charukesi says that it was the idea of the Managing Editor of Vikatan Publications – VSV, and that this is the first time that profiles of a bunch of young artistes were taken up for a book.

“It took me 28 days to interviews the 28 artistes, and the book was readied in another 28,” he says. “On the whole, it was a pleasant task, talking to the young crop of musicians, who have excellent academic records, too. All of them co-operated in the project enthusiastically.”

This was published in the daily edition of Kutcheribuzz on December 25.

THE 'SEASON'

Officially the ‘season’ hasn’t begun in Chennai.

There is only one season for the music lover in Chennai /Madras, and that is the music season in December-January. The weather is beautiful, with the North West monsoons having (normally ) receded, the sun not so powerful, and that pleasant chill in the air in the evenings and mornings, which lets women wear their Kancheepuram silks without feeling hot and bothered (as is the norm).

This is the time when various ‘sabhas’ (clubs) – now numbering more than a hundred, I think – stage Carnatic music concerts daily. Very often there are two concerts in the evening by established, who are known as ‘senior’, musicians. The less known, and those yet to prove themselves, are given a morning slot or an afternoon (2 pm) slot.



There are also Bharata natyam performances, and some of the sabhas also present plays or dramas. Karthik Fine Arts is one of these. This is a 34 year old sabha, and like most other sabhas, based in Mylapore. Because it doesn’t have its own concert hall Karthik Fine Arts starts its season earlier - by the first week of December. And presents the first concerts of the season at the Swami Gnanananda Hall of Narada Gana Sabha. By December 15, when Narada Gana Sabha hosts its own concerts, Karthik Fine Arts moves to other venues.

I managed to go to a few concerts of Karthik Fine Arts in the first week with Ganga at the Narada Gana Sabha, close to where I live. The auditorium is a huge one, a 1000 seater, I think, and is one of the better maintained ones. The early season concerts were well attended, even the 4 pm ones on working days.

It is the done thing to be seen at concerts, even if you come late, or leave half-way. Women love to dress up in their silks, and with jasmines adorning their hair definitely make it a point to attend. Men are less colourfully attired, but one does now see many T-shirts in the audience.

One of the ‘how do you do’ questions at this time of the year is “And which kutcheris did you go to?” whether one is a member of a sabha or not, in which case one buys daily tickets. And then one has to discuss, debate and dissect: “Yes, so-and-so did not sing well at that sabha at all, I think he has lost his voice”. Or “such and such’s Thodi was marvellous, so reminiscent of Madurai Mani” – thus assuring that one’s familiarity with the great masters of yore is registered. Or even wondering why the singer favoured only one composer, and sang fewer compositions of others! Knowledge aired casually, but clearly establishing it.

Then there are those who insist on sitting in the front row and keeping time with irregular beats, alarming the singer, and almost throwing him off his stride. The serious aficionados enjoy the music to the exclusion of everything else, with eyes closed (a couple of them may snooze off, if the music is soothing enough!), while some others note down the songs sung, to check on them later – nowadays all necessary information is available on the Internet. Cute little handbooks which identify a composition with the raagam, and composer, fit neatly into small handbags, and many check them out then and there. Sometimes the search takes so long, that the song is over by the time the raagam is determined.

There are others who could safely be called sabha hoppers, who attend one concert at one sabha, and rush to the next one at another. They pick and choose, debate the merits of each and every singer, and accompanying artistes before making the decision. What does help is the location of the concert halls – almost 90 % of them are based in the Mylapore area, so hopping from here to there is not really all that difficult, if you learn to ignore the congested traffic, that is.

The audience profile, I find, is generally the retired, or 50 plus, members of the Brahmin community. I have never been able to understand why the interest in Carnatic Music is restricted to this group. It is clear that the masses who generally listen to film music with its wild rhythm and fast-paced numbers, welcome equally songs based on Carnatic ragas. The popularity of the songs of Sindhu Bhairavi and Sankarabharanam 20 to 30 years ago, and today’s numbers like ‘Kangal Irandal’ and ‘Konja neram konja neram’, is proof enough of this.

Very few youngsters, unless they are the performers’ students attend the kutcheris. Neither do other musicians. Youngsters prefer to be on stage rather than in the audience.

A recent trend is that of visitors from abroad who come here to soak in the atmosphere of the season. Youngsters who left Chennai/Madras to study or work abroad make an effort to be present for the season at least once in a couple of years. Some of them were students of music, and miss the music and the unique atmosphere in Chennai. They listen all they can, savour and store the experience to be enjoyed at leisure, till they come back for another recharge.

What used to be a convenience for hard core music lovers has now become a side show at the concerts during the Season. For the music lover who just could not spare the time to break for a meal, canteens were set up at the venues. A quick bite between the songs, and the rasika was satisfied, and he headed back to the auditorium, ready for another schedule. This has now become a great business. Huge pandals (temporary pavilions) are put up alongside the halls, big names in catering take up contracts and total feasts are provided. In fact there are people who visit the concert venues just for the pleasure of eating at these places; music is a distant second, often skipped too. With the wedding season off at this period, it is a blessing to caterers who present their best here, too. The rush is something crazy.


At Narada Gana Sabha there is an open air canteen, run by Woodlands, that functions round the year, and serves splendid coffee and snacks. It is almost always nearly full, despite the season's caterers. The menu is displayed clearly outside at the top. After one of the concerts we managed to find time and a table for a quick coffee, excellent as usual.

Availing themselves of the congregation of music lovers, music stores set up stalls in the foyer of the sabhas, with CDs and DVDs of concerts, and books on music and musicians, or related to music in some way, sure of attracting customers.(Click on picture to enlarge).

Here is a no-frills schedule of the concerts from the beginning of the season to January 18.

And here is where you can learn all about the music and dance world of Madras : http://kutcheribuzz.com/

GOLDEN SHAWLS AND A TEMPLE

A couple of months ago, our music group Gangamritham was felicitated at the Sai Baba Temple, after we sang there. We were honoured with ponnadais (golden shawls, literally). I was a little disappointed that we could not take a picture of us wearing them, then. But we got together a couple of days ago after a class, and posed with our shawls, asking an obliging passer-by to click. And here we are.

And this is a picture of our group at theArupadai Temple near Besant Nagar beach, where we sang in July. This temple is a fairly recent construction, and has six 'sannidhis', one each for the six famous temples (Arupadai veedu) of Lord Muruga.

A SAD TIME

How enjoyably exciting it seemed when Bruce Willis, after chilling moments of suspense, managed to outwit the terrorists in 'Die Hard' and release the hostages. It was not a hotel that was taken over by the terrorists, but a couple of floors or more in a high rise building in Los Angeles.

Courtesy Times Online

But what happened in Mumbai at the Taj Hotel and the Oberoi Trident in the last few days did not thrill me in the least. We were glued to the TV, watching live action of the hostage terror and it wasn’t in the least enjoyable or exciting. Ball by ball commentary, so to speak, with visuals of what was happening on practically all the news channels only left us desolated. The feelings we were left with were grief and rage for all the lives lost in the attack, and fear for the lives that were at risk in the act of rescuing those who were still alive in there. The commandos and the police did a fine job, and lost some precious lives from their units in the process.

The depression caused by these events was matched by what one could call the pathetic fallacy of nature, with the skies weeping in Chennai and other places in Tamilnadu, when it just kept raining relentlessly during the whole 60 to 70 hours of the terror activity in Mumbai. As the siege ended, and the commandos took charge, the rains abated.

A bus sumerged in a subway in the city
Courtesy 'The Hindu'

Lives have been lost in the heavy rains caused by a cyclone, (named Nisha), and untold damage has been caused by rainwaters entering homes, both in the city and the interiors. The temple town of Chidambaram, we understand, became marooned.

Altogether a depressing week.

But, to use a cliché, the human spirit is resilient and people will go back to their normal lives in Mumbai and elsewhere, but the lives of those touched by this tragedy personally, and who lost loved ones, will never be the same again.

A blog with honest pictures of the Mumbai terror

And one on the floods in Chennai

OFF WITH THE OLD. . . . .

I am being wooed.

Sms-s, emails, phone calls, the whole works. Day in and day out. But my reaction is silence, an impassive silence, while I rub my hands together in glee.

When I needed your help, you never paid me the slightest attention, ignored my phone calls, and sent me vacuous emails full of no information.

Now you beg and persuade, plead and beseech me to renew my association with you.
Thanks, but no thanks.

I have found someone new, who is just perfect for me.

BSNL - my new service provider.

No more waits of up to seven days while cable problems (which were as frequent as once a month) were sorted out. No more of having to talk to courteous, yet indifferent, call centre employees, who insisted on being civil, full of empty politeness, but were of no help at all. No more calling them up and not getting any feedback.

I only have to open the Internet, and there I am connected immediately and am ready to surf.

Or so I thought . . . . When suddenly two days ago I found that I could not connect to the net. I called their Call Centre. The line was busy for very long, and I could not get through at once. But once I did, the person there, without being obsequious, very clearly told me (without any ornamental flourish - no ‘have a great day’, no ‘thanks for calling us’)that my problem would be addressed as soon as possible.

When I called the person who had come home to connect us to the service, he said he would come to check the lines. But before the appointed time he called to say exactly what the problem was. It was a major one, with the server being down, and so he would not be visiting since it was not a problem related to our line. I appreciated that service. The connection was restored without much delay the same day. A nice change. The next day the newspapers reported a major snag in the BSNL service, which had disrupted connections state wide.

I am happy now, though I realise that if our telephone lines go, so would the broadband connection. But I am prepared to take that chance.

A LOVELY VISITOR

Well - preserved, a friend remarked of my house and me, and in that order. I was flattered, even if I did sound like a jar of pickles. My hair has thinned, and my waist has thickened, but I wasn’t too bad, I thought.

Her words reminded me of a recent meeting with actor Vyjayanthimala.


Now here is a person who has aged gracefully and wears her years with élan. And not a bit of fat anywhere. She is so trim and slim, and that lovely smile from her ‘Madhumati’ days is intact.



My sister Viji had met Vyjayanthimala in Mumbai earlier this year, and called her when she came to Chennai recently. Vyjayanthimala immediately invited her to her place for dinner. After dinner she dropped Viji back - and came in to meet my mother. Viji said later that she had just asked her, “Will you come and meet my mother?” and she had immediately agreed.

When Vyjayanthimala was in her prime I was rather young (I think I was about eight when I saw ‘Nagin’) and was totally captivated by her. She was beautiful and graceful, and had the most charming smile. She remained my favourite heroine for very long, till after ‘Sangam’. I still feel that no heroine of today – size 0 or not - can hold a candle to her when she was at her best. She did not do many Thamizh pictures, but those she did were great. Her dance with Padmini in ‘Vanchikottai Valiban’ remains one of the screen classics ever.

She ruled over the Hindi screen with the great heroes she costarred with – Kishore Kumar and Pradeep Kumar earlier, and then Dev Anand, Dilip Kumar and Raj Kapoor.

So when Viji called and said that Vyjayanthimala would be coming home, I was excited. Quickly changing into a more presentable saree (I had already got into my nightwear), and patting my hair into place, I went downstairs to receive her. I opened the gate when the car came and she, sitting next to her son in the front, put out her hand, and said, “Rajalakshmi (my full name,) can you please hold the gate open?” I was disarmed.

That set the tone for the rest of the visit. She was all charm and grace, and we relaxed, and told her how she, among others, had filled our thoughts of films and film actors. When I asked if we could take pictures, she immediately agreed and got up telling my mother to keep sitting, and stood behind her chair and posed (see picture at the top). Several clicks later, we were back to chatting, and she told us about the dance programme she is presenting this music season. At 70 plus, she is still thinking up new themes and rehearsing rigorously. No wonder she is so slim.

When my mother mentioned that my birthday is on the same day as hers, she appeared delighted, and shook hands with me all over again. Now, I can understand my being delighted, but her? There was no need for her to appear so. That, I suppose, is the secret of her charm.

Incidentally, she lives barely 5 minutes away from us on C. P. Ramaswamy Road. She was amazed that we were practically neighbours, and had been so for the last 40 years. My husband, thinking this an opportune moment, mentioned to her the overburdened condition of our road, and asked her what she could do, as a former MP of the locality. Suchindra, her son commented that they were also victims of the weird road rules – he had no direct access to their home from the main road.

Granted, that I am not the star struck teenager of the 60s, nor she the reigning queen of the silver screen today. In spite of that, she bowled us over with her matter-of-fact manner and total lack of airs.

My mother remembers her from an earlier occasion too as a nice person. At the investiture ceremony at Rashtrapathi Bhavan, New Delhi, in the 1970s, when my mother and her sister had accompanied my father to see people receive their Padma Shri and other awards, my aunt had gone up to Vyjayanthimala and asked if she could hug her. And the star had easily agreed and hugged her back.

PONDICHERRY AGAIN

I will never dream about Pondicherry again.
I have had my heart’s fill of it now.

Going back to Pondicherry after 46 years (we left there in 1962) with my sister and her husband (see picture above) who were visiting from Bombay, was the most rewarding experience. Though I have lived in Chennai for the last 41 years, the opportunity to visit Pondicherry had never arisen, though it is just three hours away.

And I never felt the need to go, but would dream about the place. About the house we lived in, the school we went to and our days there. I wanted to keep my memories intact, and so never thought of going.

My heart was full of happy childhood memories of the place. So many wonderful things had happened there. My youngest sister was born there. We went to the best school possible. We made a lot of road trips to the ultimate city (to us!) Madras. We learnt French and a bit of French culture, and made so many friends.


We were there from 1957 to 1962 – a very brief period, when my father(above) was posted there on deputation from New Delhi. He served as the Development Secretary. We lived on the top portion of a huge building, next door to what was then known as the Government House, and housed the Governor’s/ Chief Commissioner’s residence and other government offices. And my father had his office downstairs. We were only young children and did not know anything about the takeover of Pondicherry from the French by the Indian Government. All we knew was the predominant French influence and atmosphere in the city.

My father during one of his 'Development' jobs

So when Viji called from Bombay and said “Raji, shall we keep our date with Pondicherry?” I was only too happy to say yes.

And Viji was the best companion I could have had on that trip. She and I (along with brother Bala) shared the same memories of home and school, though there is about six years difference between us - and nearly six inches! Driving down the ECR in the car hired for the express purpose, we talked and relived those days, fifty years ago!

Reaching Pondicherry, we tucked into a delicious breakfast and told the driver to take us to the Government House(on the right). He insisted that that was not one of the sights, but we had our own agenda.

He then said he did not know the way. We told him to go to the beach and we would direct him. And happily we could. We were going to see the house we had lived in. The streets were the same, the buildings were the same. The memories came flooding back and we knew exactly where the house was going to be.


It was a clear and sunny day, but not too warm, adding to our expectations. We reached where ‘our’ house should have been, and found to our dismay that there was a building housing the Romain Rolland Library close up to the compound wall with the front gate, blocking our view of ‘our’ house. It was like a slap in the face. When we enquired inside we were told that the entrance to our building was on the street alongside, the street separating our house from the Government House. And there we found this board! Our house had become a museum – we are now on par with the Prime Minister Jawaharlal Nehru, whose home has been turned into a museum too, we joked. My mother who had visited Pondicherry a few years ago and been to the house had prepared us for this. In a way it was good, otherwise we would never have been able to see the inside of the place.

We went in and asked to see the upstairs. The man at the reception table pulled out three tickets at Rs. 2 each. And while we excitedly told him that we used to live there so many years ago, he pulled back the tickets and waved us in. We insisted on buying the tickets, because as we told him, my father would have been the last person to encourage the misuse of concessions.


Going upstairs we found the rooms had become models of the luxurious rooms of the French period, (with suitable furniture and furnishings)– no photographs were allowed to be taken inside. We spent a long time there looking at the rooms and other exhibits, usually found in museums, reliving and revelling in so many memories. As a child I remember the shine my mother maintained on the red floor, but now that sheen was missing.

See the shine on the floor! Taken in 1962, when we were leaving Pondicherry for good.

We wandered about the huge rooms, and discovered the changes made there – the person-in-charge was very helpful once he also learnt we were ghosts from the past. We went up to the terrace, where we found some more buildings blocking the view of the sea, barely 100 yards from the place. That was sad. From the other side the view was overlooking the Government House, and beautiful it was, just as before.


The sky was never bluer, the light never brighter than on that day. From the tiny balcony in front of one of the rooms we could see the road separating the house from the Government House. In the corridors of our memory we heard the reveille being played in front of the Government House – twice every day, once to hoist the flag in the morning, and once in the evening, to lower it. How often had we seen the men marching from somewhere behind the Government House to the front, in their smart khaki uniforms and hats along that road. When we left the house (museum)we were satisfied, warmed by the reception accorded to us once the persons there knew us for past residents.

Next on our list was the school.

We told the driver to drive slowly while we drank in the sights of the place, the straight and parallel roads, laid at right angles. The Pondicherry we knew and loved was this one square mile city, called the white town, with no public transport, but for hand-pulled rickshaws. We had no truck with the rest of the city, but for visits to the cinema theatres.

We used to walk to school, barely half a mile away, across the Government park where the lovely Aayi Mandapam is (we did not know then that that is its name).

St. Joseph de Cluny High School, run by the Cluny sisters from France held the most important place in my mind then. The Headmistress then was foundress Sr. Peter Claver, a nun who was from Switzerland who we referred to as Mother Peter. She made sure that along with academics we had a well-rounded education with music and art classes and sports. She set up a Literary Society, and the sports day was an annual event to look forward to – just as Parents’ Day was. For the latter she thought up interesting programmes that included Thamizh songs and dances, and also English and French pieces, for which we trained assiduously from weeks ahead. I am sure all schools have the same events, but to me it was special, especially because of Mother Peter’s enthusiasm. Then there was the annual fete, which was open to the public – there were stalls selling wares made by the inmates of the orphanage attached to the convent, and music played incessantly. Packets of confetti (contributed by us cutting the wrappers of sweets and toffees into fine pieces) were sold for four annas – 25 paise - and used to be scattered over everyone, just for fun. That was one day the strict teachers and sisters let all the rules relax, and fun was the keynote.

Even studying was made out to be an enjoyable occupation. The school was young then and had only a few students in each class, so a lot of personal attention was given to everyone. Mother Peter’s able assistants were Miss Thomas and Miss Gowri, who taught English, History and Geography in the senior classes. All these memories are still green ....


We went looking for the school and found it – in the same place, with the same buildings on either side of the road. But where was the school? Only the Montessori section functions here, and classes for Western music, another legacy from Mother Peter, are being held in what used to be classrooms.
The staircase where Bala and I had posed for photographs with friends was still there, though narrowed down. Sister Judith, the sister in charge there gave us the details of the number of music students and the exams they were trained for – Trinity College of London was the examining authority. I remembered that Viji had taken one of these exams.
We met Sr. Phyllis, the Principal of the Montessori section, and she told us how the school on account of its growing strength had moved from here to another part of the city – but we already knew this. The newspaper I worked with used to run a sister newspaper called Pondicherry Times, and I got a lot of updates from it. We were touched to see Mother Peter’s picture gracing the place. My brother Raja who was then very young was her favourite. – she used to call him her sweetheart.

On the other side of the road - where the French section used to be, along with the sports ground and the hall with its stage – everything was still there, but everything was different.
Sister Suzanne who received us told us of the current activities of the school. All the sisters received us so affectionately when they knew the purpose of our visit, even if they did not know us. . . Not a soul whom we knew, or who knew us, did we meet. Fifty years is a long time.

Following our own whims, we decided to hit the beach next, but after succumbing to thirst quenchers next door to the school. The restaurant on the first floor had a thatched roof, and the walls had original paintings from Hindu myths, in the style of Ravi Varma.

The beach was a favourite haunt in those days, and my father used to take us there regularly; though it was only an itsy bitsy walk, we would go in the car. (I used to hate the beach for some reason, and preferred not to go.) The raised, wide cemented path along the beach, Promenade as it is called appropriately, saw many people after the sun had set.


The students of the Medical College – these were pre-Jipmer days - would also come there, as well as the doctors, my father’s colleagues with their families and residents of the Ashram.
Walking on the promenade was a popular exercise, with the cool breeze balancing the warm cemented walk with its little wall on which people could sit. One could not reach the sea so easily then. Today it is possible to reach the sea after a walk on the sands. Lord Dupleix’s statue has been move to the farthest part of the beach, from the place of honour, and Gandhi’s statue is put up there. And from the beach it is easy to walk across to the Government Park.

As we did.

The park has been transformed from a plain garden with acacia trees and grass to a tourist spot with flowering shrubs and vague pieces of sculpture, and a corner with swing and other playthings for children. But that lovely arch, where I was once the chief priestess invoking Lord Zeus, remains the same.

We went round the park looking at the buildings on the sides – We oohed and aahed “Oh there is the hospital” where Gowri was born, and “There is the Club”, where we used to go regularly, and where my father used to play tennis. It was a treat to be taken to the Cercle (de Pondicherry), as it was known, with him and be treated to dainty sandwiches and lime juice.

Viji’s husband Venky remained a mute spectator throughout, silent support coming from him at all points.

After a detour for lunch into the other side of town, (the other side of the canal, separating it from the white town) we came back for a last look at ‘our house’, and the streets around it.


The buildings here are so beautifully maintained, painted in muted shades of grey. The roads are paved and slope to the sides of the road, where there are outlets for rainwater to drain out. Most of the buildings are owned by Sri Aurobindo Ashram, which is what Pondicherry is most famous for now. One of the buildings is where the Mother used to give darshan from, Viji remembered.

As a student there was a healthy rivalry between the Ashram school and ours in inter school events. As a Clunyite, I dutifully hated the Ashram students. But the fact remains that the Ashram played a huge part in the development of Pondicherry.

We also wanted to visit the Pillayar temple which we used to go to regularly - it is so close to where we used to live. My father never took the car on outside trips without visiting this temple and breaking a coconut. The temple has grown very large now – with land donated by Ashram mother, says a legend in the temple. The little elephant outside the temple was a crowd puller - Lakshmi, a real charmer, with a chain of bells, and anklets round her legs.


Outside, we saw two women stringing jasmines, and remembered the small packet of stringed jasmines which was delivered to our door every evening, and we would all wear them in our hair, right from Grandmother downwards.



It had been a perfect day, and a sense of fulfillment pervaded us, as we drove back home. Our driver suggested we visit the relatively new Sri Anjaneyar Temple at Panchavadi. We did and marvelled at the 36 foot high Hanuman. The road we took was the Trichy road, and a smooth ride it was.

All ghosts have been laid to rest.

SODEXHO!

I was waiting at the supermarket cash counter with just two items in my shopping bag. There was only one person ahead of me, and I was content to wait till he finished, though he did have a basketful of groceries. The cashier told him the amount, about Rs. 1200 and a little more, and waited for him to pay. Out came his wallet, but instead of cash, he pulled out a small booklet, which he laid on the counter.

Even as I looked on amazed, he opened it, and started tearing out sheet after sheet. The girl looked at one sheet and told him that the value of each sheet was Rs. 15. He nodded, and pulled out about 50 of them, one after another, taking his own time. Then he went on to pull out sheets of the next denomination, Rs. 50, as the girl verified.

By now she was confused, and had called her colleague to help calculate. The colleague came armed with a calculator, and while she calculated 50 x15 and wrote it down, the man began to pull out more sheets. Curiosity having got the better of me, (and I was melting in the heat as well, since the air conditioner had broken down in the store) and felt justified in wanting to find out just what was holding me up, I looked at the sheets – they were of Rs. 75 denomination this time. It also said something like ‘sodexho’ and ‘food pass’. I began doing some mental calculations to see how many more sheets of what denominations he would need, when he picked out a Rs. 10 note from his wallet and handed it to the cashier to complete his payment.

“Have you no change, sir?” she asked politely. “Only Rs. 2 more.”

The man coldly refused, and she ran to the next counter to get change.

And all this while I was in line, 12 minutes of watching the transaction, though it seemed like 12 hours. Finally the girl turned to me. Phew! I wondered why they did not have a separate line for people who wanted to tear out their coupons.

Coming home I tried to recollect where I had seen the word ‘sodexho’ before. And it came back to me. It was at a restaurant where my young friend had taken me for a treat – it said ‘sodexho’ coupons/passes were not accepted. She had planned to use them to buy our dinner! Fortunately we had some money with us, so we were saved some red faces, and did not end up washing dishes.

I wanted to know what this ‘sodexho’ is, and found out the following from another young friend, who gets them.
1.This is given by companies to their employees as food coupons in lieu of a part of their salary to save on tax. You save a nifty sum by the way because sodexho coupons are tax free. I am told most IT (Information Technology) companies go for it.
2 They can be used for buying groceries and food.
3.There are sodexho coupons and passes – the distinction is too fine for me to grasp.
4.Sodexho is a company name standing for Societé d'Exploitation Hotelière.

Very good, but maybe they will give coupons in the future in bigger denominations too, so other shoppers’ time can be saved.

SHE SELLS SEA SHELLS. . .

. . by the sea shore.’ That old tongue twister used to make me wonder who collected the shells she sold. Today at the beaches one does find people selling seashells – made into dolls, fixed decoratively on mirrors, or just plain chains, and tourists buying them.

When we were children, one of the thrills of going to the beach was walking barefoot in the sand, allowing our feet to sink into the warmish, wet sand as deeply as possible and curling our toes. And then walk closer to the waves, skirts lifted right up to the knees and pants rolled up, and let the waves come and wash our feet, while we would retreat squealing with delight, asking for more.

And then there was the pleasure of looking for shells and collecting them, having an impromptu competition amongst ourselves to see who had the most, the prettiest, and so on, as only children’s minds can think up. We never thought about what we would do with all the shells we picked up and carried home, sandy and grainy, but take them home we had to. And empty them into old chocolate tins reserved for the purpose.

We did not care after that. But my mother is very resourceful and artistic. She used the shells in a very creative way to show each one off individually. She took small circular boards (like the base of cakes) and heaped loads of wet cement on it forming a tiny hillock, about a foot high. She pressed the cement hard to make it stay firm, and while the cement was half-wet, she pressed the shells into the little mound, with the prettiest one on top. Some were shells her grandmother had collected from Rameswaram.
One of them is the conch on top of this mound. I have one she made all those years ago, and to my knowledge she made at least three more.

There are uses for shells too. Small shells, called conches (shanka) have been used to feed milk to children. Milk is poured into the body of the shell, and the narrow lip is placed in the mouth of the child and the milk drips in small quantities. Bigger shells which are called conches, are used to blow into on auspicious occasions like weddings and poojas. Our legends speak of the gods and their conches. Lord Krishna blew on his shell Panchajanya during the great Mahabharata war.(Picture courtesy Internet)Most conches spiral to the left, like the ones here. The few that spiral open to the right are called valampuri conches and are used for religious rituals. My father-in-law had acquired one, and used it for pooja. (See below)



A picture that haunts my mind is the illustration of Rosamunde Pilcher’s ‘The Shell Seekers’. It was in a magazine along with an extract of the novel, but it was so many years ago, and I am not sure which one. Two little girls on the beach, one stooping to pick up a shell, and the other watching. I was pleased to see a similar picture on the net enititled ‘The Shell Seekers’ – maybe it is the same?

Copied from here.

A NICE GESTURE, A NICE FEELING

It was a pleasant surprise on Sunday morning when I opened my mailbox. There was a mail redirected from the comment box of my blog. Namaki has presented me with an award !

I quote: ‘Hello Raji ... Let me offer you the Arte y Pico award for your blog ... because I like your stories about Indian culture and traditions etc.” I understand that the award is given to bloggers who are artistic in any way.

My most sincere thanks, Namaki. I am happy that my writings tell you a little about our traditions, even though I have not made any conscious effort to specifically talk about them.

Now it is my pleasure to offer five people the award.

Adi for his beautiful bilingual poems.
Sunita for having created a natural garden, which I see through her photographs and complementary writings.
Gardenia, who has a way with words, and brings alive her part of the country
Indrani for her wonderful photographs.
Flowergirl for writing so interestingly about flora and fauna.

DR. RAMA, DR. UMA AND ‘ANANDA LAHARI’

Dr. Uma and Dr. Rama

It was one of the occasions where almost everyone is a Sanskrit scholar, or at least a lover of Sanskrit.

The occasion was the book release of a translation of Adi Sankara’s ‘Sivananda Lahari’ by Dr. Rama Venkataraman* and Dr. Uma Krishnaswamy. The book, a bilingual translation, has been published by Vidya Vrikshah.

It is a neatly arranged distribution of labour – Rama has translated the verses into Thamizh and Uma has translated them into English. Each page has one sloka, with its transliteration, the translations in Thamizh and English, and additional notes at the bottom. The book has two explanatory chapters, written by S. Somaskandan, retired Registrar of Benares Hindu University. A learned Sanskrit scholar, he is Rama’s father.

This is Rama’s third publication in three years - the first one was the translation of stories from Devi Bhagavatham into Thamizh and the second, ‘Anthyakshri Manjari’, a compilation of Sanskrit slokas for use in Anthyakshari competitions. Rama is a Ph. D. in Sanskrit.

Uma is a consultant breast surgeon attached to Apollo Hospital. An FRCS from UK, she also holds an M. A. in Sanskrit. Managing a profession that leaves very little spare time, she still found time to translate this work of Adi Sankara. She has also translated the Soundarya Lahiri into English for the Vidya Vrikshah website.

Both women are volunteers at Vidya Vrikshah, a voluntary organization devoted to archiving electronically ancient texts and manuscripts pertaining to Indian religion and philosophy. A special software developed by Dr. Kalyanakrishnan of IIT, Chennai, has been provided free to the organisation for this purpose. Dr. Rama used this software, which allows the English keyboard to be used for typing in various Indian languages, to type the Thamizh translation of all the verses. Vidya Vrikshah is run by Uma’s father, N. Krishnaswamy, (IPS), retired Inspector General.

The book was released by Dr. C. L. Ramakrishnan, (IPS), Retd. Director of Vigilance and Anti-corruption, who has a profound knowledge of Sanskrit literature, and received by Dr. Kalyanakrishnan.

Published in the Mylapore Times dated October 25 – 31.

*Dr. Rama is my sister-in-law.

HAPPY DEEPAVALI

The rainy season in Chennai is sandwiched in the three weeks or four between the two main festivals - Navarathri and Deepavali. Old timers in Chennai often point out how it will definitely rain on the last day of Navarathri, and last till beyond Deepavali.

One would think it was enough to dampen (literally) people’s spirits. But no! Deepavali, which literally means row of lamps, (though we never have that in the south) is the one festival when people really go berserk – new clothes, fireworks and crackers, sweets galore and that phenomenon - Diwali movie releases. The reason for the festival is often forgotten, but the
celebrations never diminished.

This year too, the rains came on schedule – thank goodness, otherwise we would have had to face a drought in the summer. For the last two weeks it has been raining constantly, with heavy downpours off and on, telling us that the north west monsoon is doing its business thoroughly.

The festive spirit rules and one can see the enthusiasm of the people, especially when it comes to shopping. Newspapers, magazines and the television are blazing with colourful advertisements for clothes, sweets and snacks, and firecrackers. Along with these are ads for refrigerators, microwaves, pressure cookers, mixies and so on – because many companies give festival bonuses to their staff now, and they have to be helped to spend it.

To us, the festival is rather low key, since there are no youngsters at home to bring that exuberance in. But we follow tradition and have bought the required new clothes, a few firecrackers
and made some sweets. Since my mother is here we decided to make her specialty - laddoos, all the while reminiscing on earlier occasions when she made them. My nephew as a little fellow used to refer to them as 'round, round, yellow things'.

When my boys were young children, they would start talking about Deepavali from weeks ahead. The lead up to the festival was the most fun. Their main concern was fireworks and crackers, and to buy them early enough so they could be dried and made crisp in the sun, when it shone between rains. My father-in-law would give them and their cousins a rupee (a rupee went a long way then) each everyday from a month before, to buy
crackers. And they had to spend it the same day, which meant they got to burst crackers everyday. The major share had to be purchased by their father. One year, my son, fed up of reminding him, left a message for him on the cassette recorder, “‘Appa dappaskku thuttu tha’ (Father, give us money for the crackers).” Repeating it faster and faster till it reached a crescendo. And played it constantly.

Clothes were not very high on their list of priorities, and they were all right with
whatever we got, even if it was tailored by me. But sweets and savouries were another matter. They used to love sweets, and would request their favourites to be made – some of which can be made only by professionals, or at least, not by me. And the kitchen would be a scene of active preparation for up to a week ahead. (Sweet shops and professional caterers were not so much on the scene then). The finished products, whether hit or miss, were consumed happily - along with the goodies brought by our neighbours and relatives, with whom we exchanged ours.

On the day, after the mandatory oil-massage and baths
early in the morning, and wearing the new clothes, they would light
fireworks and crackers, and eat sweets first thing, with no one telling
them off. Later on with visiting friends and cousins and return visits,
it would be one long day of merrymaking for them. When television
arrived, there were special programmes on Deepavali, and the interest in seeing movies in theatres waned. In recent years I have seen it pick up, however.

That frenzy of activity is missing now in our pre-festival days.

But when friends and relatives with young children visit on the day, we once again get a whiff of that innocent happiness of childhood.

Swarna sent me this link. Listen to the joyous melody of Deepavali. http://psuseela.tripod.com/sus13.ram.

P. S. If you can't open it, try this
- (courtesy blogeswari)